London designers Yuhan Wang and Richard Quinn showcased their latest collections, focusing on surrealist boudoir themes and hyper-glamorous evening wear, respectively.
Key facts
- •Yuhan Wang’s collection explored the "strangeness to the moments before sleep" through surrealist boudoir-inspired designs.
- •Wang’s runway featured unconventional accessories, including a cup and saucer tied to a satin blouse.
- •Richard Quinn presented 42 gowns during his show, which he described as "hyper-glamour" reminiscent of the 1980s.
- •Quinn’s show was held on a mirrored, chandelier-hung runway and closed by Helena Christensen.
- •Quinn operates his business, including his couture salon and fabric print operations, out of Peckham.
London fashion designers Yuhan Wang and Richard Quinn debuted their Spring 2027 collections, each highlighting distinct aesthetic visions. Wang explored themes of sleep and surrealism through boudoir-inspired garments, while Quinn emphasized his signature hyper-glamorous evening wear on a chandelier-adorned runway.
By the numbers
Yuhan Wang's Surrealist Reverie
Yuhan Wang’s collection was inspired by the state of mind just before sleep, resulting in what the designer described as a "hazily skewed reverie." The runway presentation featured models emerging from stacked mattresses, setting a dreamlike tone. Wang incorporated surrealist elements into traditional boudoir attire, including dresses designed to resemble open bureau drawers and garments featuring attached household items like cups and saucers. Distortions were a recurring theme, with pieces featuring asymmetrical wadding and dislocated-hip panniers. The collection utilized lace and satin, with specific looks including cherry-print mini slips and off-the-shoulder camisoles with irregular corsetry, blending conventional silhouettes with deliberate, unsettling twists.
Richard Quinn's Hyper-Glamour
Richard Quinn’s Spring 2027 show focused on his established brand identity of consistent, high-end evening wear. The designer, who operates his atelier and fabric print business in Peckham, presented 42 gowns on a mirrored runway decorated with chandeliers. The collection featured couture-inspired silhouettes, heavy embroidery, and ostrich feather trims. Quinn noted that his brand strategy relies on saturation and building loyalty with an international clientele. The show served as a showcase for his business, which includes a ready-to-wear line available online and at the Liberty department store. The presentation concluded with a walk by model Helena Christensen.
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This article was independently rewritten by ManyPress editorial AI from reporting originally published by Vogue.
